The cultural and musical phenomenon that is The Grateful Dead is deep, and deeply rooted. The reverberations of the group’s impact ripple through our whole culture’s body; resonating with many. As evidenced by the hundreds, if not thousands, of bands that are dedicated to playing the songs the band immortalized, and Dead-ifying a bunch more. The mystique, intrigue, and openness of the Dead art form lends itself to a freedom of expression that never stops opening. Hence, it often feels new in spite of overlapping familiarity. It’s the music, and it’s alive.
There’s a community that grew up around the music, and the band. The Deadhead community might be a bit of a sleeper in its reach and scale. The community goes far and wide with an organic interconnectedness manifest as a unified group that is very likely to all at once stop at certain moments; like when the first chords of Eyes of the World, Goin’ Down the Road, St. Stephen… get heard. There are always people listening for this sound. A lot of us seek it out, often returning to the people and places where we’ve found it. It’s dance music. It’s rock and roll. It’s rooted in American musical heritage, out of The Beat Generation, opened in a cultural renaissance, and has big staying power. There’s no doubt the music has real value in recorded ways, however, its premium is as a performance art form. Among others, there is a group out there right now that is raising the music terrifically well. They’ve been playing together now for a couple-three years, and they just had a coming out party.
I got tipped off to Shakedown Citi about a year ago, and first saw them at Garcia’s in The Capitol Theatre, Port Chester NY, January 29, 2025. There was a small crowd there. I’m not good with numbers. Maybe there were 50 or 75 people in the club. Either way, they got ready. Without much to do they leaned into The Golden Road. Ironically, the first tune I hear them play also happens to be the first track on the first Grateful Dead album. A little serendipity, and the wheel keeps right on turning. It clicked. I was conscious of not emotionally jumping the gun, however, these guys were not three songs into the set, and they had my attention. The tightness of the group, the choice of songs, the ability of these players, and their “fingers on a hand” cohesion as an ensemble was unmistakable. And did they jam?!?! By the set break I’m pinching myself. These guys are freakin’ great! It happens to have been right space/right time for this music head. It was a little surprising to see people leave. In the head, I’m thinking, “Where are you going?” It was hard to figure. By the time it was all said and done, it was like the band had emptied the tank. It was a great rock and roll performance. It was authentic, rigorous, spontaneous, and excellent. I don’t want to exaggerate but there were like a dozen of us left, maybe 15. It was astonishing how few people were left in Garcia’s. Total head scratcher. I’m thinking people on the sidewalk would hear it and come in, not be in here and split. Whatever…. For what it’s worth, thanks to the ultra small crowd, I had chance to kind of introduce myself to these guys. I let them know how much I thought about what they were doing. They seemed like interesting people, easy to talk to, with a lack of pretense that was quite endearing. Nice guys to meet.
2025 has been an exceptionally good year for performance art. Shakedown Citi is a big part of that. Up and down the Hudson Valley, and into Connecticut the path has wandered. From the groovy Lark Hall in Albany, down through Woodstock and Marlboro, to Beacon, back to Garcia’s with an excursion to Robin’s backyard in rural CT, and to the neat Infiniti Hall in Hartford it’s been a great year. There were no really big crowds or swelling rooms. The Falcon and Colony Theaters, however, later in the year began to have some stronger people pulse. It says something about these guys that they never mailed one in that I saw. They never frowned, and never took their collective foot off the accelerator. That’s really right on.
A couple of weeks ago in Beacon NY, at The Towne Crier, we caught up with them again. There was a pretty damn noticeable anticipatory buzz leading up to the show. You could feel it. Shakedown Citi hit the floor running again with Hell in a Bucket, and didn’t look back. Joy, interest, and moments, if not periods, of bliss happens during these performances. Twice, there was this roaring collective response to climaxes in the jam. One with the soaring Big Railroad Blues crescendo after the tune had slid neatly in out of Looks Like Rain, and again when the music blasted back into Terrapin Station out of the Terrapin Suite . The performance finished up with a buzz. Brooklyn Bowl on the horizon. It turned out to be a let’s go, let’s go week. Some of that touring with The Dead cadence was back. Saturday we made our first trip to the bowling alley/music club in Brooklyn.
Sometimes things are just right on. There was a very good feel to the scene down there. The logistical wrinkles of finding our way into the bowling ally, in the busy borough, seemed to iron themselves out. Most everything about the setting seemed like a ready welcome. The juxtaposition of numbers in attendance was fun to see. There was a real party atmosphere. High vibes of interest, curiosity, and some wonder created a real event feel. We know some people in the band and community. It was cool to see who we did. DJ Cheetatah was a smiling, sparkly, happy, groove spinner, mixing souinds along the way. Mitch and Snake warmed up with Readicculus. That group was Phishing, and didn’t hold anything back. Ready, ready, and more ready energy, excitement. Shakedown Citi full in the moment. Those guys seemed right in their element, and if they didn’t deliver?! Great rock and roll show! This is why we do it, have done it, and, God willing, will continue too. It’s alive! The music truly has never stopped. You never know who’s going to be feeling it. Right now The Grateful Dead musical catalogue is being tapped by some seriously excellent musicians that clearly love music, get off on the vibe, find creative ways to jam through the groove, and do some of the best music ever serious justice by playing the hell right out of it. Fare the very well. That was as crafty as a 7-10 split and as righteous as a strike. Strike! Strike!
Word… Rest In Peace Bobby Weir
Like an angel standing in a shaft of light / Rising up to paradise, we know you’re gonna shine! -Estimated Prophet. Bob Weir / John Barlow